Mind over Medium

Art, Literature, and Pseudo-Science

I Liked to Read: A Note on the Death of Reading

Elizabeth Hayes

English 4360 – Literary Theory

4 February 2010

Losing Friends

I liked to read. I liked it very much, in fact. My marble-round child eyes slurped up words like alphabet soup. I remember Go, Dog, Go being folded, opened, cracked, crinkled, and thumbed until it became brown around the edges from finger grime, as did the mythology section of the Webster’s Dictionary. My mother can still flip right to that section because of the sepia line ringing the pages. My mother taught me to love reading when I was still very young. My mother read Laura Ingalls’ The Little House series to me every night before bed, chapter by chapter, for two years. I learned about wolves, maple syrup, sod houses, prairie fires, and buffalos while most of my friends preferred to watch TV and eat Spaghetti-Os. My mother bought all sorts of books for me, but none really felt like they were mine. I longed for a book of my own.

One day when I was six, I found a little green book called A Birthday is a Special Day at a church yard sale —a lithographed gem floating on a tiny island in the middle of a gelatinous ocean of burbling magma. Why so? The thin green volume rested at the very edge of Helen Rose’s booth. Helen Rose’s gnarly old hands laced with lavender veins, her gently curved back under her pink sweater, and her spider-web white bun made her sweet looking, but the woman raged as no bull ever has or ever will.

She clamped her arthritic hands around the church library like a miser’s fist around gold. The books did not budge from those shelves. If you did gather enough moxy to check something out, she became your personal poltergeist until every page, stitch, and letter was back on the shelf, snuggled into the blanket of dust from whence it came.

What brain aneurism, amnesia, or dementia prompted her to suddenly sell off  her printed treasure, I might never know, but A Birthday is a Special Day teetered at the edge of the table, tottering in the crisp September breeze.

I stole it—snatched it right off the edge more stealthily than a mouse steals oatmeal. I squirreled that book away, into the juniper bushes that prickled and bit. Blue juniper berries smushing my pastel dress into a pastel mess, I sucked up the happy rhymes and reveled in the spindly, curly font. The book was as friendly, spirited, and idyllic as the friends I didn’t have. I hugged it to my chest and felt fulfilled. I fell under the spell of words, into the binding embrace of an open chapter. The slender green book had stolen me in return.

The little book sent my desire to read spinning. I whirled through the family library, reading everything from The Hungry, Hungry Caterpillar to the Encyclopedia Britannica and even some old chemistry textbooks. The back of the Frosted Cheerios box took two minutes in my morning routine and advertisements for discount shampoo and orthopedic shoes that scattered out of the Sunday paper never hit the floor. Anything with language on it, even unintelligible French warnings on the car visor, I strained to absorb as quickly as my mind could process.

By the time I reached middle school, I had read The Hobbit, The Silmarillion, Greenwitch, The Unlikely Ones, The Cube Route, and The Giver. National Geographics that arrived in a brown paper sleeve printed with pandas or Neanderthals took thirty minutes to consume. The glossy paper, color pictures, and fascinating articles inside made my school work—mundane essays and state-mandated short stories—seem grey and distant: clouds edging a star-blazed sky. Nutrition labels on the over-salted cans of Campbell’s soup, annoying subscription postcards that tumbled out of Newsweek, and the anticipated bi-monthly Chemical and Engineering News spoke to me, shared their life experiences with me. They still held a warm friendship for me even as my human companions left me behind.

While my personal reading blossomed, my school reading wilted. I never liked school. I hated it, in fact. Screaming children, wicked playground games, rotten milk in gluey cartons, and over-worked teachers beyond retirement battered my body and scarred my brain with unwanted human truths. I tried to hide from the chaos in my books, but soon enough, my printed friends fell victim to education.

Sixth grade brought Mrs. Lopez and her sentence by sentence plod through Mrs. Frisby and the Rats of NIMH. I could not force myself, even threatened with demerits, to slow down to her lethargic, clumping pace. As we took turns around the room I wanted to scream when Andrew Garcia missed his sentence once again because he was sucking the ink out of his golden gel pen.

“Let’s start at the beginning of the paragraph again, shall we?” Mrs. Lopez would say.

I had already finished the chapter and began to count off what passages I would have to read. I marked each one with a star and read the next chapter between sentences. My clever escape was discovered soon enough.

I had lost myself three chapters ahead, wondering how the rats came across their names, when I felt the teacher’s vile blue pen smack my neck.

“Elizabeth! Keep up!” Mrs. Lopez barked.

Punishment was hand-copying the chapter in cursive during lunch hour, but neat handwriting couldn’t save me. My constant reading ahead assaulted my read-aloud time and continued to cost me brownie points in the “smart kid” department. By ninth grade, my refusal to retard my reading pace finally caught up to me.

Assuming that I flat-out couldn’t read, the school put me in freshman remedial reading where I wrote haikus about Prince Caspian and did mindless plot worksheets until my bored brain finally exploded. Arching up like a cobra, I flung my pencil at the chalkboard, livid. I was ushered to the office where the principal asked what the class had been doing.

“Oh, we were writing plot triangles over chapter four,” Mrs. Greywell said. She held up the purple ditto sheet with a picture of a grinning cartoon boy holding up a pyramid labeled “Feeling Words.” I had filled my pyramid with a sketch of a ragged dancing bear, pierced through the nose by an iron ring, from that month’s issue of National Geographic.

“Dance, you fool, dance!” I had scrawled underneath.

I was eventually moved to the regular English class, but it was hardly different. The work was longer and stories duller. The large, purple anthology, six years old and tearing at the spine, held a few good poems, a smattering of fresh prose, a plethora of fascinating biographies, but we never read any of those. Instead, the class took up their pens and slashed through exhausted passages of Dickinson and Shakespeare like savages.

Sixteen is a turbulent time in anybody’s life, and I was no exception. Suddenly life was thrust at me on anything but a silver platter—more like a seething basket of snakes. I went to a private Methodist school because Espanola High ran rampant with drugs, gangs, and a vicious anti-white prejudice. A fair-skinned geek like me, my parents knew, would not survive for long at public school. What they did not know was that private Methodist school brought different challenges, forcing the war from the physical realm into a mental or even spiritual one.

The required religion courses were not intrinsically bad. The information they brought was actually fascinating, but the teacher, oh, the teacher! A small, fish-faced old man with a wild fringe of white wiry hair that flared out like a grass skirt over his ears ran the classroom. The first day of class every year he stood in front of the room, using a yardstick like a cane, and rocked back and forth on his heels. A ghoulish grin spread his mounded wrinkles.

“Welcome to my classroom,” he said. “I am Mr. Bruner.”

He rocked back and forth. His imp eyes glittered.

“Here, I am God.”

Mr. Bruner wasn’t joking. He wielded his power like the Old Testament God: wrathfully. You did as he said; spoke as he ordered; thought as he desired you to think. He assigned books not to read them, but so he could re-write them under his own divine influence. Hinds Feet in High Places, The Lion, The Witch, and The Wardrobe, and even Jurassic Park —all utterly decimated by the touch of his translucent, pink fingers.

The worst, the very worst, of the lot was The Screwtape Letters. Devils, voices, tricks, hellfire, and fouled religion brightened his imp eyes like no other story in his massive library. The mangled book scrambled my adolescent brain. The Screwtape Letters wasn’t like the other books I had read. Under Mr. Bruner’s oppressive preaching, the book offered no comfort, no kinship, no love. It growled at me from under my bed, breathing, haunting my nights with shadows in the corner of my room. I could see the specter’s claws reaching out from the darkness, black as India ink, spreading over my walls, carpet, sheets like a flood. The voices howled in my head, for the book had woken the devils of my dreams. The nagging voices laughed at me, taunted my insufficiencies, and circumvented my last threads of sanity.

It killed me. Verily, it did. More than the boredom of poetical annotations or theme descriptions, the words that skittered through my brain did more damage than any other literary exercise. The teacher’s twist of a book intended to enlighten plunged me into darkness instead. The world was no longer a safe place. Books were not all friends anymore. I discovered books shoved in the back of closets, on the bottom shelves of libraries, and in the backpacks of my friends, full of horror, desecration, hatred, and evil. I learned how distorted a book can become in the hands of a vicious teacher and how a book can destroy as much as it builds.

It is only fitting to me that a book should lay me open the way I have done to them for so many years, dirtying my edges as my fingers had crusted the pages of picture books so many years ago. High school might have frightened me from books, but I still found reading a comforting entertainment in the dull hours of the night. There was still the beauty of the language, if not of the content. The Grapes of Wrath, Wuthering Heights, Jane Eyre, and The Canterbury Tales delighted me during my junior and senior years of high school. I wrote some of my best essays, poems, and letters under the influence of these and other works. The way the words trickled, skipped, flowed like blood, even in the horror, was beautiful. Their words were worth a thousand pictures. Then the content, too, was suffocated from my soul.

I liked to read. I liked to read very much. Now, I do not read. I still long for the old books, the feeling of belonging and calm they gave to me when I sat under the ash tree and read until the sunset turned the light too purple to see. College stole the light utterly.

The dark clouds that had roiled on the horizon since grade school broke free from the mountains, roared over the valley of my conscience, thundering, flashing, and raging, and settled their darkness over my head. The storm of words and notions fogged over my vision as the wind of speculation picked up paragraphs and smashed them into theory. The bindings, empty, begging for me to save them, whirled away in the tempest like limp bodies.

The books I thought I knew, the plays I once loved, are actually thinly disguised smut. The beautiful words are only lies. The language is a Persian rug to cover a foundation of mud. Books are not friends, I was told, they are malicious mazes and monsters dwell between the lines. The scholars mocked my child-like love of literature, taunting me with spiteful vigor and turns-of-phrase. I put my hands over my ears, squeezed my eyes shut, and clamped my mouth closed because everything was wrong.

It was wrong to rip my relationship to the writing from me and substitute another; wrong to laugh at my emotional response, my ties, my devotion to these tomes; wrong to chase from my eyes the beauty I saw; wrong to change the way I think. To change me. It was wrong to rip the literature out of my soul and turn us into nothing but objects to be studied.

Books have souls. Ink is their lifeblood. I dread reading now, because I know that I will have to murder the work, dissect it down to its smallest organs. I am not a butcher. I am a small child who reads with a corrupted innocence that longs to read again, but I am given knives disguised as knowledge. Every word is cut out, ingested, digested, and vomited out again, a reader’s bulimia. I love the taste, but oh the horror of the weight it gives me! The Os plead with their gaping mouths while every “i” stares in horror. I cannot look at them. I cannot.

I do not fear death. I do not fear pain. I do not wish to remain naïve and oblivious to suffering. I can appreciate the turns in life, good and bad, but I cannot abide having something so close and loved rendered meaningless by blather. The world has enough noise and confusion as it is. I wish to read again, alone, in peace.

_________________

“When you want to build a ship, do not begin by gathering wood, cutting boards, and distributing work, but rather awaken within men the desire for the vast and endless sea.”

{attributed to Antoine de Saint-Exupery}

I see the problem more clearly now. However, this time, I am on the other side of the classroom, the wretched teacher forced to brandish the fiend knives and command brains with hardly a desire in them to dice up some essay on economical depletion or other such dense drivel. Many students of mine hardly muster the will to read the picture captions in People Magazine; a six page article on Abraham Lincoln explaining the complex relationships between his cabinet members is like having to eat a mill’s worth of sawdust.

What have we done to reading? What has become of books? They are no longer something to treasure or even respect. There is a huge split now and not just literate/illiterate. Books have become a religion. Those read to dissect a book brag righteously about it, lording it above others, while those who loathe reading fight vehemently against any mere suggestion of digesting a  written word. It is not because the books are objects to worship or scorn, but because many people have never been taught to read. Yes, I said it: in our attempt to foster educational growth, we have taught literacy, not reading.

I believe it is because our obsessive literary dissection has turned books from enjoyable experience into overwhelming puzzles. Some people are adept at these puzzles. They derive great satisfaction from finding all the hidden meanings amidst the double-speak. But others are not so inclined and they are not to be blamed for it any more than someone ought to be blamed for enjoying spicy foods or being terrible at basketball. However, the popular method for teaching literature is doing future generations a great disservice because it insists that in order to comprehend a passage, it must be completely disassembled and reassembled before you’re allowed to move onwards to the next victim.

Children are no longer taught to just pick up a book to read it. They are trained to pick up a book and pick it apart, which only teaches them that knowledge from books is a nasty chore akin to fishing a quarter out of the cafeteria dumpster. If reading a book is made into such tedious work without an explanation about the purpose or rewards for the labor, of course people will seek the comforting embrace of a movie that does the explaining for them! It’s human nature to find the easy way out, so the phenomena is not unexpected. It’s just sad that the thing most people are trying to escape from understanding the written word.

I don’t believe that books are dead yet. We may have sliced them up and shoved the remains into the dusty closet of academia, but there is still hope for a revival. The electrifying kick literacy needs isn’t more essays, worksheets, or lectures. The hope for the book lies in the most sacred part of the school day: recess. Get poor, pale pages out of the sickly, yellow florescent hell of the classroom every once and a while and show people how to read just for the reckless pleasure of it! I am not against schoolwork, projects, and discussion. There are lots of important messages hidden in between the black and white type that must be found in order to fully grasp the gravity of a story. It is not discover that I am disillusioned with but our way of teaching dissection before the student fully comprehends and appreciates the object which they are slicing apart.

I realize that this is why I no longer read. I, too, have been sucked in by the complicated task of reading for tricks, rather than treats. I have only read about three books all the way through in the past two years, often because my whole day is spent shredding the same passages over and over for a group of students who were never taught the beauty of words. I used to be able to digest about three books in a day. Now, I feel a weariness towards them that I imagine my students have learned to feel.

But I am trying. I am taking the first small steps in my own Reading Rehab program. I will not let literary  theory/synthesis/exposition and its dogma weigh down the glory of enjoying a good book (or even a terrible one even now and then for a deliciously bad shock). I enjoy some of the little puzzles between the lines, but I have re-learned which ones are meant to be solved and which ones are coquettish phantoms that the author never meant to put there. The years have taught me what research is practical  and worthwhile and which is pointless. I have directionality now. I have hope that in the future, others will not have to re-learn how to read as I have. Books are your friends. Stop being their psychologist, and get back to being BFFs!

Second-Hand Masterpieces

It’s good to know that I’m not the only painter who recycles:

María Teresa Infanta of Spain, by Juan Bautista Martínez del Mazo, 1645

Hint: Look closely that the curtain behind the princess!

The House in the Meadow

An ancient grey house in the meadow
leans toward the morning sun
as light slants over the hills.
What little green paint was left
Has peeled off the door in papery shreds.
The worn brass handle is utilitarian,
Darkened by years out in the middle of the field,
unprotected by the porch which collapsed half a century ago.
A lazy cow beds down on the east side,
pressing the old structure into a further lean.
Wind carries a salting of spring pollens
through the empty window frames
and whistles out the other side, bearing a load of dust.

Death of a Camera

Sudden tragedy! My favorite camera– the one with beautiful light sensitivity, delicate focus, and insightful color patterning—drowned this afternoon. How? It fell in the cat’s water bowl. Of all the places it could have landed within a 360 degree radius, it had to land precisely in the center of the 4 inch diameter cat bowl. What are the odds? You’d have better luck on scratch-off tickets! Well, dear digital camera friend, you were a faithful companion these 13 years. You will be sorely missed.

Fond Memories Captured Together

Anderson Museum of Contemporary Art

I recently visited the Anderson Museum of Contemporary Art in Roswell after failing to find any extraterrestrial beings (other than a few inflatables lingering in the store windows wearing hideous outfits). Roswell isn’t just about aliens, though. In fact, it’s the least of Roswell’s charms. Don’t go to the town looking for spacecraft; instead, go for the hidden gems like the Anderson Museum.

“Donald Anderson has assembled a collection of over 300 works of art produced by the talented individuals that have participated in the Roswell Artist-in-Residence Program. Housed in over 10,000 square feet of exhibition space, this permanent and growing collection represents one of the most significant gathering of contemporary art in the region.”

The place is brimming with everything from classical-style art to performance and outsider pieces. The museum works on a fabulous residency program. Artists are chosen and given a year of residence at the museum to create artworks, then one or more of their pieces are chosen for the museum.

Sooooo….where do I sign up? :)

The Average Criminal

The Special South Wales Mugshots of Criminals, 1910-1930

I found these during a researching binge.
They are extraordinary.
There are dapper gentlemen, murderers, ruffians, thieves, partiers, and ladies seeking “miscarriages.”
The humanity of them is astonishing as these were snapped soon after the arrest and not in the traditional measuring room, but in the cells, yards, and holding rooms where the accused waited for their trials. The photographs provide a rare glimpse into the faces behind the crimes, and the stories in their eyes are haunting.

Eugenia Falleni (alias Harry Crawford), murder, 1920

B. Moody, (crime unknown), 1919

Mrs. Osbourne, (crime unknown), 1919

Alfred Fitch, repeat offender, 1924

 Nancy Cowman, aiding abortion, 1924

Alfred Ladewig, con artist, 1920s

Barbara Turner, forgery, 1924

Frank Murray, burglary and sale of stolen goods, 1929

B. Smith, Gertrude Thompson and Vera McDonald, harboring thieves, 1928

Emma Rolfe, theft, 1920

Valerie Lowe, burglary, 1922

These people all seem very real. Some are frightening, like Eugenia Falleni who impersonated a man and murdered her wife, while others look deep in despair. Others look at the camera with a glint in their eye: the devil may care!

All of them are fascinating.

17th Century Self Portraits with Fitted Sheet

This past week, I got in a tiff with my boss, almost competed in a spelling bee, and was feeling rather 17th Century Greek Revival, so I ceremoniously draped my cranium with my freshly laundered fitted sheet and took this series of unaltered self portraits. Yes. There is no make-up, no paint-over, and the worst bathroom florescent lighting known to be. I have titled them Moods of a Mad Madonna.

Whether that Madonna is the Renaissance Mother of God or the entertainer has yet to be determined, but something felt right about it, kind of like running across a batch of spilt seed beads while you are vacuuming and they make that titillating crunching sound as they are sucked into oblivion…

A Self Portrait in Scents

Today I read a slightly mocking article on Yahoo News about weird perfumes like char-broiled burger and new laptop. I ended up at the Demeter Perfume website, a magical fairyland I had not visited for a very long time. Demeter Perfumes specializes in unusual scents. Yahoo picked Play Doh as Demeter’s weirdest, but there are quite a few stranger than that– celery, clean windows, wine dregs and earthworm among them– that are more like a Bertie Bott’s Every Flavor Beans challenge than what most would consider fine perfumes. They have some “normal” scents, too, like lavender and many different flowers, but it’s the strange scents that get the most attention…and entertaining reviews (for example Jess from Western MA who said “cannabis flower” smelled too much like flowers and not enough like pot).

I love smelling things; just ask anyone who’s ever gotten within a foot of me and they’ll tell you. When I meet someone, I lean in an give ‘em a sniff because you can tell a lot about someone just by smell. Do they smell like bleach with a hint of citrus and soap? They are cleanly folks who like order. Do they smell like band-aids and grass. Soccer player. Every. Time. Do they stink like a wildebeest wallowing in musty brine? They don’t shower and probably couldn’t care less what you think of them or they just came from the gym and care way too much about what you think of them. All of that’s usually natural body odor or environmental leftovers. Humans use perfumes to change or mask those odors.

You can tell a lot about a person by the perfumes they choose. We expect bubbly blonds to like “girly” fruity and sugary smells, men to like “masculine” leather and musk, and old ladies to dab on enough florals to gag a bee. But what if you had every scent in the world available to you and you could bottle your memories, dreams, likes and dislikes? Demeter Perfumes is working on doing just that.

So I pulled a Severus Snape, distilling my personality into a series of essences that, unlike most art media, you can’t see, touch, or hear. It’s a self portrait in scents! If you could smell my soul it might smell like this:

A storm on the move over the mountains, clever puns, old silver, nights outside, inked paper and books, leather and whoop-ass, quiet thoughts alone, and (most importantly) tea in dainty china or unbelievably huge plastic cups.

Our brains record smell memories faster than almost any other. Have you ever walked by someone or something in the grocery store and suddenly had déjà vu, but you couldn’t pin down why? It’s probably because your nose picked up on a smell from long ago and it triggered a recall response, but since smells have no visual clues and humans are rather dependent on visuals for comprehension, you couldn’t “see” the memory in your head. It was just a scent on the air, a little puff of Febreeze at the back of your mind. Sometimes it is the small of red Kool Aid from a 4th birthday party or the detergent an old lover used to use. I had a friend who smelled her gramma’s chocolate chip pancakes everywhere she went. If smells affect our minds so powerfully, shouldn’t everyone strive to make sure it’s their true selves everyone is remembering and not some fake cologne we sprayed on because it’s “cool?”

(Axe, I’m looking at you. you make men smell gross. Stop it!)

Test Subject: A Sacrifice for the Good of Science

As I mentioned previously, I found a neat old Classical Dictionary rotting away into fine, spongy leather dust. This sad , fat volume is helpless, after all, there is no cure for red rot. There is , however, a stopgap that can extend the life of a book. For my birthday today, my parents surprised me with some CELLUGEL! I stole the manufacturer’s description so you can get the gist of what the stuff does:

“Cellugel uses cellulose ethers (specifically hydroxypropylcellulose) and isopropanol to treat red rot by penetrating the surface of leather. It consolidates the leather substrate, depositing a thin film which provides resistance to atmospheric conditions but does not darken or discolor leather surfaces. It will not stain other materials it comes in contact with. Cellugel dries quickly and the book may soon be handled safely. A second coat may prove necessary for extremely thick or badly deteriorated volumes. It is an excellent choice for consolidating powdery leather surfaces prior to conservation treatments.” – Conservation Resources

Okay, so that may be a bit much hoity-toity talk for us average Joes and Josefines. Basically, Cellugel makes a film over the book, keeping it from powdering up your hands. It’s easier to apply than frosting on a donut and golly, it works! In less than the time it takes to get through a commercial break, I had zapped that red rot into submission!

My super-technical workstation full of high-tech equipment, including a state-of-the-art butter dish.

The applying Cellugel is so much easier than applying to grad school!

I’ve never been this giddy watching paint dry…

Sadly, it won’t heal the flaking and splitting in the spine of the book, but the covers are now almost powder free! The little flakes I’m going to fix up with some unholy glue (conservationist everywhere begin sharpening their pitchforks).

HORROR.

Glue will have to do ! This book is pretty dead already. If I’m going to bring it back to life, I’m going to need to get all Dr. Frankenstein up in here!

I have applied the first coat and will see how the covers hold up with just that. I find it kind of ironic that something that contains 100% isopropyl alcohol– the industrial version of the stuff used in hand sanitizer and by evil fathers to singe the germs right out of your roadrash– will preserve powder-dry red rot. After all, isopropyl dries out your hands like nobody’s business! I made the mistake of getting some on my fingers. My hands are now as dry and crackly as the old dictionary used to be!

I only dipped my hand in it one time. ONE TIME.
I SWEAR!

Anyway, I am beyond pleased with the Cellugel. Along with the amazing bookbinding dictionary and book care guides my parents gave me, I am well set to forge ahead into my conservation experiments on this sad old tome! Huzzah!

For the Love of Books: My Sacrificial Book

I was perusing the MOST AWESOME ANTIQUE STORE IN THE WORLD (located north of El Paso, TX), when I found the front cover and first 4 pages of an 1841 classical dictionary.

It awakened the book-hungry librarian in my soul and I was determined to find the rest of it–there had to be more! After all, there was a clearly marked $9 price on the last ripped page. Even a greedy antique store owner is not crazy enough to charge $9 for the first four pages of a mythology dictionary (then again, who knows?). THE MOST AWESOME ANTIQUE STORE IN THE WORLD is huge– over 11,000 sq. ft., plus outside and whatever is hanging from the ceiling– so I was certain the rest of the dictionary had to be around somewhere, even if it took forever to find it. It took another hour of searching to find it, but I finally dug it out of a box about a yard where I’d found the cover. Sometimes things like to hide from me in plain sight.

Yes, it's lying on both covers...:(

Man-oh-man is it in rough shape! For those of you unfamiliar with the Chihuahuan Desert, it’s dry. Very dry. In fact, the day I found this dictionary, the air was filled with dust and howling wind. You couldn’t see the mountains, or even the sun for that matter. It’s crispy and crunchy like a cracker everywhere you go, which you know is bad for your healthy, living skin. Now, imagine what that dry, sizzling heat does to 170-year-old dead cow/pig/sheep skin. It’s not pretty:

The book, however, is not yet a total loss! It was obviously a very pricy book when it was first published, evidenced by the very fine leather-on-board binding and a prettily printed page edge in a turquoise pebble pattern.

The inside is crammed full of text and more text and more text. If you want to know about the right toe of Palaemon, a son of Priam, this is your tome! And a true tome it is; weighing in at over 4 pounds, measuring an impressive 3.5 inches thick.

Both covers are off and it isn’t really safe to have it in any position other than flat right now. Others have attempted to conserve it, visible as a few ill-thought pieces of tape and an earlier, more professional addition of leather strips at the spine hinges. These, however, all failed and now both covers float freely, doing more harm than good when it comes to protecting what remains of the inside. The spine itself is intact, but the leather cover  flakes and cracks with the slightest movement. Even just taking these pictures put an almost unbearable strain on the cover, despite my best efforts at being gentle. However, all is not lost! This poor tome, left to become dust in a bone-dry corner of THE MOST AWESOME ANTIQUE STORE IN THE WORLD, offers the perfect opportunity to explore the world of book restoration. The paper and glue are all pretty well intact, aside from the ripped front leaves, with no mold or water damage. The book’s most troublesome condition issue lies in the leather. The leather is suffering from “red rot,” a condition in which the tannic acid used to tan the leather all those years ago has begun to eat away at the leather, reducing it to a felty, powder-covered mess.

Red Rot is the Black Death of the book world.

 The profusion of orange dust on my fingers bears witness to the severity of this dictionary’s case of red rot. The powder literally leaves a dust print of the book wherever it is laid. It’s like having flour on your hands after making cookies. One swipe on your black pants and poof! Everyone can tell what you’ve been doing. I came up to the counter holding the dictionary and a few other items piled in my arms. I came out of the store with a square print of orange dust right smack in the middle of my chest! I thought the powder-dry binding was beyond hope, but a little bit of internet research lead me to a product called Cellugel. Cellugel is a book archival preservative that promises to help treat red rot without further damaging the book. It’s kind of like Oil of Olay for books: it promises to magically reverse wrinkles, but let’s face it, no matter how much you slather on cream, your face is eventually going to shrivel up. Like deep wrinkles, red rot is irreversible (after all, the leather is dead skin, so it can’t heal by producing new cells), but it can be controlled and I really want to try Cellugel out on my sad classical dictionary!

Click to visit Zombie Manuscript Girl. She's cool.

A jar of the stuff is expensive, $35 with shipping, but it’s an adventure! If it kills the covers of the dictionary, the tome will be no worse off than it originally is, but if it works…hello happier classical dictionary! Then it will be on to re-attaching the covers and stabilizing the spine. I think this dictionary could be one of the best books I’ve gotten so far since it offers me the opportunity to have a sacrificial book: one I can explore book preservation with. Most book conservation and preservation schools recommend having this sort of book around to learn basic techniques on before moving on to more difficult and valuable books. I am very interested in the field, so I want to try it out. It might make a good career or at least a viable, fascinating side business!

Follow

Get every new post delivered to your Inbox.

Join 77 other followers